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OBSERVING DETAILS

A small bottle containing urine sat upon the desk of Sir William Osler, the eminent professor of medicine at Oxford University. Sitting before him was a class full of young, wide-eyed medical students, listening to his lecture on the importance of observing details.

To emphasize his point, Sir Osler announced: “This bottle contains a urine sample for analysis. It’s often possible by tasting it to determine the disease from which the patient suffers,” if we observe details correctly.

He then dipped a finger into the fluid and brought it into his mouth. He continued speaking: “Now I am going to pass the bottle around. Each of you please do exactly as I did. Perhaps we can learn the importance of this technique and diagnose the case.”

The bottle made it’s way from row to row, each student gingerly poking his finger in and bravely sampling the contents with a frown.

Dr. Osler then retrieved the bottle and startled his students by saying: “Gentlemen, now you will understand what I mean when I speak about details. Had you been observant, you would have seen that I put my INDEX FINGER in the bottle but my MIDDLE FINGER into my mouth!”

I’m certain those students never forgot that lesson and neither should you!

When things seem to be rough and failing, step back and take a careful look. Are you really observing correctly? Are you missing something?  Have you misidentified the source of your troubles?

Take a look at what has been successful in your past. Drop out the things that aren’t working, put back in the things that did, and get back to a sensible operating basis.  You’ll find it much easier to keep things on the right track.

Then train yourself to observe accurately in the future so you don’t end up in this mess again!

You’re welcome!

daniel w. jacobs
© 2008-2010, all rights reserved

DREAMS INTO ACTION

When a culture begins to sink to a level where there is no appreciation of the fine arts and only the crude arts are supported - though hastily presented with little thought to subtlety and expertise - we have entered upon a societal degradation from which recovery may be impossible.

When there is little or no real support of the artist as a valuable, contributing member of and to the society;

when the collective goal of a country is chasing the buck to get another fix to support our habit as consumer junkies while being sold on the efficacy of this idea by a constantly incessant, unremitting onslaught of advertising reminding us of our inadequacies at not making enough money to buy more stuff;

when you are somebody only when you have a new, shiny car, a big house, the latest toys and hot and cold running secretaries at your disposal;

when the institutions of what are laughingly called higher learning only focus on memorization without understanding, mimicry without meaning, style without substance, products without aesthetics, technique without message;

where original thought and innovative, creative individual ideas are shunned in favor of a me-too mentality;

where the rewards go to the non-producing members of a society and the active, hard-working members are left unrewarded and unnoticed;

when you begin to see these symptoms in abundance, then that culture is on its way out. Thus went the Greeks, Rome, England and America.

We now live in a sound-bite world of instant gratification where all that is important is the sizzle not the steak;

where the focus is on the attainment of celebrity status with little attention given to the pleasure of bringing ones skills up to a professional level sufficient to accomplish a final result one can be proud of;

where speed is valued over competence and pride in oneself or ones work is afterthought;

where communication is reduced to a bumper sticker or a headline;

where considered, complex thought is considered outdated;

when all this is happening, the prospects for the future can begin to look grim.

But lets not throw in the towel just yet , , ,

In spite of everything, I’m not particularly pessimistic - of course even my wife calls me the “glass 1⁄2 full” type guy with an irrepressible, even irritating sense of optimism about the future.

Notice that these three axiomatic truths that remain unchanged in spite of all that I’ve said above:

1. Happiness results from having and following a dream that you desire.

2. Pleasure comes from moving through the inevitable barriers and challenges along the way.

3. As long as life is in you, it is possible for you to have something to do with the nature of your future.

I think you’ll agree that the artist is the dreamer of dreams and the creator of new future possibilities. So what if new artistic ideas or creative, imaginative solutions or approaches are resisted, resented or fought? If you’re not up to it, maybe you should think about looking into a profession that requires little or no original thought, so that you can be accepted and fit in to society’s norm.

But wait a minute . . . you’re already an artist aren’t you?

Why not just facing it and move on. All the things you complain about go with the territory. On the other hand, you get to experience a level of intense aesthetic sensation that others only dream about.

Just keep putting it out there. Keep creating your idea of what you would like the future to be. If you don’t put it out there, it won’t exist.

Putting your dreams into action requires active, continuing contribution from within to be kept alive. Otherwise, those dreams wither and die.

It’s your dream; why not just keep putting it there in spite of every invitation to do otherwise?

The way I figure it, I am going to just keep creating a future the way I would like it to be and putting my dreams into action, and you should too.

Because, before you can say, “wha’wazdat?” the past becomes the future; and that future has a tendency to look suspiciously like what you were creating all along.

Why not make it something desirable and worth moving into? You’ve got nothing to lose . . . and everything to gain.

daniel w. jacobs
(c) 2002-2015, all rights reserved

FOREWARD:
We all need help from time to time. And the willingness to receive help is possibly more important than the ability to give it.

On rare occasions I’m asked for advice on situations as severe as dealing with the person with addictive characteristics to be sure. And I have at times been called into service when there was simply no one else to turn to - perhaps because I am both willing and able to provide help.

This brief write-up is not intended as an exhaustive treatise, an authoritarian discourse, or a professorial thesis. Rather it is simply a recipe or guideline for any such individual treatment and should be considered for advice only.

DISCLAIMER:
Research into this affliction to discover of the underlying causes and developing effective treatment needs to be done. It’s easy to prescribe the latest pharmaceutical drug du jour being promoted. But treating symptoms only obscures the real problems.

I do I claim to be, and am not, a psychologist, psychoanalyst, psychiatrist, health professional or any other licensed therapist or specialist, as such tend to subscribe to the theory that man is an animal and develop and use animal “treatments” on sentient human beings - An opinion that I do not share. My advanced degree is from UCS – The University of Common Sense, as well as my native underlying willingness to help my fellow man.

These are my opinions drawn from personal experience of what has worked for me in dealing with such individuals. No further claims or guarantees are made as to whether or not my advice would be considered efficacious in any treatment.

Any benefit resulting from following my advice herein stated, is entirely due to your own native willingness and ability to help your fellow man. You alone deserve all the credit while I stand by and applaud your efforts with enthusiasm.
- d.w.jacobs

THE ADDICTIVE PERSONALITY

Persons afflicted with addictive personality tendencies are well aware that there is a dichotomy going on inside themselves, the “good vs. bad” so to speak. The destructive effects on self and others are easily observed, yet the state of dependence is so resistive to change that few are willing to roll up the sleeves and figure out what is going on.

Personally I don’t believe addiction is a symptom of a mental disorder or disease in and of itself. It is more likely evidence of the internal struggle to overcome what he knows is killing him - which he is apparently powerless to stop.

When the bad side rears it’s ugly head - which can be cruel, arrogant, numb, or insensate – and demands to be obeyed, it is apparent that the person is largely powerless to change it. He is out of control because there is no one in the drivers seat. The plane is on autopilot, following a path that is certain disaster. Something needs to be done, fast!

To me, any addiction, whether mental, emotional, physical, psychological or even spiritual can be grouped into the same general category of aberration, an obvious departure from what is considered normal or desirable.

It is simply the state being or becoming dependent upon some damaging “drug” whether chemical, mental, emotional, or physical, to the end of losing ones own power of choice and becoming unaware of the consequence of ones actions. Which in my mind bears a very close relationship to the general area of control, a concept that is not hard to apply in this circumstance.

The two types of control - good and bad - are defined as follows:

Good control – the ability to manage or direct something with reason. You feel comfortable around someone who can exhibit good control, you feel that they know what they’re doing and will get the desired result.

Bad control - the person is not in control, but is being controlled. They are the effect of something they feel is more powerful then they are. They tend to do destructive things to self and others without thought of consequence. Such people are not comfortable to be around.

Because the use of the word “control” has come to mean very strictly restrictive, demanding obedience to some authoritarian figure, which is strongly enforced, it’s gotten a bad rap.

I wish there were another word to substitute; perhaps the word “force” might apply, because bad control is really not control at all. It’s a lot more like forcing someone to obey and comply with demands without reason or agreement.

Since the topic of control is under discussion, lets look at it a bit closer. A dissection of the internal workings of control breaks down into three elements:

1. The ability to start something,
2. To change something,
3. Or to stop something.

If one of these three (start, change, stop) is missing, then good control is missing and bad control (or force) is in evidence.

As an aside, the “good vs. bad” dichotomy of the addictive personality mentioned earlier, could be considered a visible manifestation of “good control vs. bad control” now that we have a better grip on what we’re talking about.

Clearly if one is unable to start a path toward logic and sanity by becoming clean and sober, there is no chance whatsoever of changing a bad condition is there?

It’s also obvious that an individual cannot easily and summarily change an addictive habit even with competent help – if an addiction is already out of his or her control. They are hooked on a path of self-destruction and will harm anyone connected with them. They may say they need to change and even hope that they can, but it takes more than that.

Also, to focus only on the stop element and force the person to accept that they are wrong in continuing the addictive characteristics will have limited success. Everyone tells them they are wrong; even they will tell you they are wrong. But they are often only saying what they know you want to hear with no sense of personal responsibility.

Frankly, you would be more likely to get their attention and interested involvement by asking them to write an essay on what is “right” about doing drugs or whatever addiction is under discussion. No one has ever asked them that question before.

In doing so, you get them to come off the compulsion of “must be right – can’t be wrong” so that they can logically take a look at the addictive characteristic and make up their own minds about it.

Let them be right enough to admit that they’re wrong.

And this is what you’re working for – to get them back in the driver’s seat of their own habits, thoughts, lives and get them back in control . . . good control.

But even labeling something as right or wrong behavior does little or nothing to open the door to any solution. If we knew exactly what the primary controlling factor was that monitored his thoughts, his emotions and physical elements, then we might be able to do something to help him, regardless of the label assigned.

It has been said that attention is the primary element in controlling his thoughts, emotions and body; I am inclined to agree.

So, although this is a hypothetical series of steps, there may be some benefit from the following analysis.

• A stimulus from whatever source triggers an automatic response of some kind in the person.

• The person is, by definition, no longer completely in present time and is not in control of his actions.

• Their “attention” at that instant slips from being under their control to some degree.

• Attempts at substituting some new stimulus/response mechanism (like behavior modification etc.) to counter the symptoms of the initial one and bring attention back under control only add complexity to the problem and offer no long-term solution.

• But what causes “attention” to go into “action,” or the body into motion? Shouldn’t one be able to simply change their mind and stop the downward spiral at this point?

• Yes, they should be able to simply change their minds and have the situation resolve. But, at this point, they have fallen below the point of controlling any logical mental thought processes. In fact, they are very much effect by them and very little at cause over them. They don’t, at this point, possess enough “horsepower” to bring about the necessary change.

• The situation begins to deteriorate rapidly after this point and accelerates into a single, fixated, all-consuming purpose, dominating the individual, commanding their thoughts, emotions and actions and effectively supplanting the individual himself. “He” is not really there anymore as “he” can’t trust himself to be in charge of anything.

• Thoughts are dominated by an obsession to score drugs, the control factor of logic and goes out even further as the irrational demand increases.

• A plan begins to formulate and the emotional anticipation of accomplishing this goal effectively cements the emotions in place to accomplish it. The bridge between “attention” and “action” is now firmly in place.

• This “bridge” between thought and action is emotion, both how he feels without the drug and how the drug makes him feel when he does have it.

At this point, options become limited severely. The attention, thoughts and emotions, no matter how irrational, now dictate the actions that the body will robotically follows. The screaming sirens and flashing red lights are now on in full force - though neglected and ignored . . . and a recipe for disaster is well in motion!

The person has had to actively and intentionally ignore four major danger signals;

a. attention is not under control;
b. thoughts are fixated on one single dominating purpose;
c. emotions are now running the show
d. actions are now dictated without reason, logic or awareness of consequence.

• Once the emotions kick in hard, there is nothing that will stop him from accomplishing his purpose of getting drugs.

• The person is now being controlled by the physical, mental and emotional addiction as they will stop at nothing to satisfy this insatiable appetite.

• Logical consequence of one’s actions has no significance. Words have no meaning and they will do or say anything to find and use more drugs.

• It should be apparent that the control factor went out long before the “body” demanded satisfaction from using drugs and went into action to accomplish this.

• The person gave up control much earlier. When it reaches a point of the emotions and the body only running the show, disaster is not far behind.

• Survival at this point is dependent upon his patterns (like the boxer out on his feet yet still vainly fighting) or the good will of others stepping up to lend a hand.

• In one steep and spectacular nosedive the person goes from rational, sane, responsible to irrational, insane and irresponsible.

Their survival depends in no small part upon the sympathy and willingness of others to help and without them, the future becomes pretty grim.

The solution to any problem posed by the outline of the addictive personality as above is simple to state but hard to accomplish.

The reason for this is that you have a person who is basically trying to succumb while you are trying to help them survive. They are trying to remove themselves from others because they feel that they are hurting people that shouldn’t be harmed. Drugs, violence, abuse, and other actions or inactions occur because they have lost their ability to trust themselves. When they can no longer trust themselves, they lose their conscience and thus also lose any ethical compass with which to determine right from wrong. All they know is that they want the drug and will do anything to satisfy the desire. Further, getting the person addicted to another drug as a “solution” only extends and intensifies the problem.

Therefore, any overly simplistic solution of the problem of the addictive personality will not be proven effective. What is required is a full overhaul not a minor tune-up. Some of the factors necessary are as follows:

1. Isolate them from people with mutual agreement on using drugs.
2. Get them on a regimen of good food, sufficient regular rest and exercise.
3. Place them on a regular routine of Vitamins (B1, B complex, C, E, and Calcium/magnesium)
4. Take no savage actions with the person.
5. Very light communication about things that they are willing to talk about is best.
6. Never force them, as they are basically overwhelmed anyway at this point.
7. Gradually get them up to a point where they have recovered physically, their attention is somewhat under their control and they are more aware of their present time surroundings.
8. Get them active doing a job of some kind, preferably one that involves actual physical activity.
9. Over a period of time, they will begin to come out of it, though the habits are still in place.
10. Now, you can begin a process of examination of some of the habits that have led them into this dangerous lifestyle. Let them tell you what is right about their brand of addiction. Sometimes they’ll come off it enough to get a foothold on the ladder upward at that point. It has happened.

This is just a start. And in my experience that it takes a minimum of three years of help and monitoring of a persons life to create new habits, new friends, new relationships without the addictive personality characteristics showing up again.

The following three “p’s” might help should you begin to feel faint of heart or your resolve waning:

• Purpose
• Persistence
• Patience

Maybe this will help.

d. w. jacobs
© 2008-2015, all rights reserved

“It is never to late to be the person you were always meant to be.”
- George Eliot, 19th Century Novelist

The following is the first in a series. These are excerpts from a featured interview that I did with Jazz Improv Magazine in 2005. - daniel w. jacobs

INTERVIEW:

JAZZ IMPROV: How has working in the music business affected your life?

DAN JACOBS: To begin, I read something by a famous producer that clarified this area for me. He said, there are two words in “music business,” music and business! You can’t completely separate them and remain viable. Unless you know something about the business side of music, in addition to the fact of creating music, you’ll run into difficulties unnecessarily. There are lots of books on the subject, seminars you can attend and other sources for information on the subject so that you can easily get a working knowledge of the area. These days, there is really no excuse for not having at least some working knowledge of the business side of things.

I consider that I’ve got the best job around; to be able to do what I love every day, whether in creating a musical product or in creating a way of reaching the public through marketing and promotion. None of this is work to me. It’s fun! Perhaps it’s because I enjoy every step of the creative process from conception to finally completing a project and getting it demanded and sold to the public.

JAZZ IMPROV ®
P.O. Box 26770, Elkins Park, PA 19027
tel: 215-887-8808
fax: 215-887-8803
e-mail: jazz@jazzimprov.com
www.jazzimprov.com
V5N3 111

The following is the second in a series. These are excerpts from a featured interview that I did with Jazz Improv Magazine in 2005. - daniel w. jacobs

INTERVIEW:

JAZZ IMPROV: How has your playing and overall perspective grown as a result of the two jazz albums you’ve recorded, “Jazz Standard Time” and “Blue After Hours?”

DAN JACOBS: My appreciation for all the “invisible” steps that have to occur for any project to be released has grown tremendously. What you see and hear at the end is the finished product, but what you don’t see is all the other things that have to be done expertly for the final CD to reach the listener with the level of quality that was envisioned. I’ve also learned that seeking only perfection is a trap. This is because as you get closer to perfection, your skill and awareness inevitably get better and you now see how it could be improved even further. You have to learn when to call it done. And when is that? In my mind, any work of art is done when the technique involved is sufficient to touch the listener with the intended message.

JAZZ IMPROV: Could you share some of your perspectives about learning how to improvise and the process of improvisation?

DAN JACOBS: My perspective on the process of improvisation in general is basically simple. Improvisation means to create spontaneously and play what you hear naturally. In the beginning stages of learning about improvisation, I feel it is important not to edit yourself too much. Just get used to hearing a note or phrase in your mind then try to play that same note or phrase with your instrument. The old saying, “strive for tone” is still the most important part of improvising in my opinion. Never compromise speed or range for sound.

Your tone or sound is the most personal and identifying characteristic of your playing. It is your musical identity and it’s who you are on your instrument. Listen to players you like. Emulate those that inspire you. most personal and identifying characteristic of your playing. It is your musical identity and it’s who you are on your instrument. Listen to players you like. Emulate those that inspire you.

Don’t worry about being perfect before you start. Be willing to face up to and work on your weak areas when they show up. Practice them until you don’t have to think about them anymore. Listen to players that have come before you. There is nothing wrong with imitation especially in the earlier stages. Your own voice will develop naturally if you are playing what you hear. Persistence, perseverance and patience are the keys to competence in mastering the art of improvising.

JAZZ IMPROV ®
Interview taken by: Jazz Improv Magazine January 2005 -
reprinted March 2005

P.O. Box 26770, Elkins Park, PA 19027
tel: 215-887-8808
fax: 215-887-8803
e-mail: jazz@jazzimprov.com
www.jazzimprov.com

The following is the third in a series. These are excerpts from a featured interview that I did with Jazz Improv Magazine in 2005. - daniel w. jacobs

INTERVIEW:

JAZZ IMPROV: How do you stay balanced-as an artist, as an individual given the many distractions that surround us and the stress?

DAN JACOBS: I have learned to trust my instincts completely about people and situations in my life. If I have a bad feeling about someone or something going on around me, I don’t ignore my instincts or make excuses to “explain” away some odd behavior or situation. I call it for what it is and act accordingly. I either handle them in some effective manner to get them straightened out, or get them out of my life. I get rid of “toxic connections” fast and never look back! Conversely, if I see that I routinely do better around certain people, I’ll do everything in my power to help them any way I can.

I’m very loyal to my friends and I know who they are. I never compromise with my own sense of personal integrity in my music or my life. I figure if I don’t believe in myself, why should anyone else? I have an unshakeable belief in the basic goodness in people. Personally, I’ve never found a person who “tried” to do the wrong thing. In my experience, most people try to do the right thing and are willing to correct themselves…eventually.

Finally, I believe that artists are arguably the most valuable people on this earth. For they seek to inject the culture with all the art, beauty or aesthetics you find on this planet.

Without the working artist, the world would not be as livable, and I’m proud to be counted as one of them.

JAZZ IMPROV ®
P.O. Box 26770, Elkins Park, PA 19027
tel: 215-887-8808
fax: 215-887-8803
e-mail: jazz@jazzimprov.com
www.jazzimprov.com
V5N3 111

Isn’t it maddening how some people never respond? And even when they do grace you with an answer, it seems canned - as if they never glanced at the mail or listened to the message you sent them?

So, what’s up with this anyway? With more forms of communication available to us than at any time in history it seems like this wouldn’t be a problem . . . but it is and it’s getting worse!

Some people seem to think that a communication is complete when they’ve read or heard what you sent and that it requires nothing further from them. All too often, the acknowledgements that issue from some people are as unsatisfying as they are inadequate.

It’s my opinion that some small amount of attention is stuck on any unanswered communication. It’s like a post-it note on your mental bulletin board reminding you that it is still incomplete. It becomes a hidden attention magnet that tends to grab more attention each time you think about it.

The punch line is that the unanswered communication is only a symptom of a much larger and far more serious problem.

Given that communication is the exchange of information between individuals resulting in a sense of mutual understanding and shared feeling, then it is obvious that an acknowledgment of some kind is required for any communication to be complete.

You need some sign or indication showing that you’ve been heard, a response that indicates you’re sensing, feeling or seeing the same thing at the same time. It could be sometime as subtle as a knowing nod, a smile, and a pat on the back, anything that lets the other person know he or she exists and has been heard.

The underlying problem is this: When you eliminate humanity from the equation you don’t have communication and you don’t have life.

The lack of an acknowledgment is basically the visible warning sign of a world growing more and more out of communication . . . not a happy circumstance for the future.

Perhaps drawing some attention to the area, as the recognition that a problem exists, is necessary before any change is possible.

daniel w. jacobs
©2007-2010, all rights reserved

OUR DEEPEST FEAR

Our deepest fear is not that we are inadequate.
Our deepest fear is that we are powerful beyond measure.
It is our light, not our darkness
That most frightens us.

We ask ourselves
Who am I to be brilliant, gorgeous, talented, fabulous?
Actually, who are you not to be?
You are a child of God.

Your playing small
Does not serve the world.
There’s nothing enlightened about shrinking
So that other people won’t feel insecure around you.

We are all meant to shine,
As children do.
We were born to make manifest
The glory of God that is within us.

It’s not just in some of us;
It’s in everyone.

And as we let our own light shine,
We unconsciously give other people permission to do the same.
As we’re liberated from our own fear,
Our presence automatically liberates others.

- marianne williamson


BEGIN IT NOW

The moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents, meetings, and material assistance which no man could have dreamed would have come his way. Whatever you can do or dream you can, begin it. Boldness has genius, power, and magic in it. Begin it now.

by Johann Wolfgang von Goethe

posted by d. w. jacobs

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